Monday, February 28, 2011

[Review] Lyle Daggett reviews Barbara Jane Reyes' DIWATA

From Lyle Daggett:
Diwata weaves together multiple undercurrents of experience and perception, mingling creation stories from the biblical Genesis and from Philippine/Filipino tradition, together with moments from the history and politics of imperial colonization in the twentieth century.

The poems in Diwata (sometimes written in prose paragraphs on the page, sometimes in conventional lines and stanzas) move through conjurations of magic, spirit beings and power, animal beings mythical and real and some of each, historical and cultural detail, and tender invocations of love. According to the publisher's webpage for the book, "diwata is a Tagalog term meaning, 'muse.' Diwata is also a term for a mythical figure or being who resides in nature, and whom human communities must acknowledge, respect, and appease, in order to live safely, harmoniously, and prosperously in the world."
Full review can be found at A Burning Patience: Born of the rocks, of the sea spume.

03/19/2011: Eth-Noh-Tec, Salon! You're On!

Review: Abigail Licad reviews Karen Llagas's ARCHIPELAGO DUST

From Cha:

Archipelago Dust, the first collection of poems by Filipino-American poet Karen Llagas, captures in nuanced, lyrical form the ambivalences constantly being negotiated by those of the 1.5 generation, young immigrants raised in native homeland but who came into adulthood in a new, adopted country.

Llagas's poems probe questions that often reside in the immigrant's heart—how should the cultural past be preserved? What is forgivable to let go? What should be restored? How does one deal with the oppositions and contradictions between cultures? Her poems contain the sadness that ultimately comes from not being able to honor both traditions equally, from the realization that some memory or practice might recede as new ones are gained. Yet despite recognizing such difficulties, Llagas's speaker still strives to be "the woman with the most/of both."

"In Descent" the collection sets out to stitch together various tears caused by migration:

[…] The prepositions I must supply
– in, until, of, despite –
or perhaps a clause – and?

Asked to explain my melancholy
I offer my full name and continue
to reside in English.

To be a daughter is to have
a duty to grammar, to exact
the relationship between

words that otherwise disappear
into vision – super, then lack of,
and much later, di – […]

Read more.

03/17/2011: Pinoise Rock: Re-imagining Filipino America

Department of Ethnic Studies Calendar: Pinoise Rock: Re-imagining Filipino America

Pinoise Rock: Re-imagining Filipino America
Lecture | March 17 | 4-5:30 p.m. | Institute of East Asian Studies (2223 Fulton, 6th Floor), 6F Conference Room

Christine Balance, Assistant Professor, Asian American Studies, UC Irvine
Southeast Asia Studies, Center for

The first annual Pinoise Pop music festival was produced at Bindlestiff Studio in San Francisco in 1998. Conceived by musicians Jesse and Ogie Gonzales, the all-ages festival gathered diverse acts under the banner of OPAM (“original Pilipino alternatib music”), later expanding its scope to include indie Asian American musicians.

While also indicative of a late-20th century Asian American creative class energy to produce and distribute music independently, this talk centers Pinoise Pop at the intersection of two Philippine musical histories—1. the punk/hardcore music scene that emerged under Ferdinand Marcos’ martial regime (1972-1984) and 2. the mid-1990s resurgence of OPM (original Pilipino music) indie rock. In each instance, improvised, oftentimes contraband, musical exchanges happened in ways familiar (radio shows, record stores, cassette tapes) and sometimes unexpected (military bases, airline stewardesses, underground radio transmissions), resonating the martial cultures —everyday practices articulated through war and its aftermath — of Filipino America.

Christine Bacareza Balance is an Assistant Professor in Asian American Studies at UC Irvine. Her writing has been published in the Journal of Asian American Studies, Women & Performance, Theatre Journal, and the online journal In Media Res. Prior to joining the faculty at UC Irvine, Balance was a UCOP Postdoctoral Fellow in UC Riverside’s Department of Music from 2007-2009. In 2009, she was awarded a UC Pacific Rim grant to conduct research on and interviews with musicians, festival organizers, and Philippine popular music scholars in San Francisco, New York, and Manila for her project on Pinoise rock. A member of the New York-based indie rock band The Jack Lords Orchestra (www.thejacklords.com), she is currently writing a book on popular music and performance in Filipino America.

[PinoisePop artwork by Dino Ignacio]

CSEAS, 510-642-3609

Friday, February 25, 2011

Call for HYPHEN Book Reviewers

From Hyphen magazine blog:

Love books? Have strong opinions? Excited to share your thoughts?

Hyphen’s new books editors, Cathlin and Abigail, are looking for writers to review newly released books of all genres for the Hyphen blog. Reviews are 400-600 words. They must be thoughtful and well-written, and can be either personal or academic in style. We do not limit coverage to works by Asian American authors. We also encourage reviews of any book from an Asian American perspective, or of books which merit strong interest from the Asian American community. We provide a monthly list of available review copies from which reviewers can select.

Book reviewers will also have the chance to pitch articles and author interviews for both the blog and print issues.

Read more.

Wednesday, February 23, 2011

02/27/2011: AAWAA THIS SUNDAY! "Refresh: An Afternoon of Relaxation and Creativity" Fundraiser & Silent Auction

Refresh: An Afternoon of Relaxation & Creativity
Fundraiser and Silent Auction
When: Sunday, February 27 at 2:00-6:00pm
Where: AAWAA Studio at 1890 Bryant Street, Suite 302, SF 94110
Admission: $5-$15 sliding scale (services not included)

Indulge in creativity, soothing beverages, and tasty treats. Get a massage or henna tatto, learn new makeup tips, have your fortune read, or create an art piece.

The silent auction will have something for everyone. Treat yourself to a 2-week retreat in Italy, an intimate dinner for two, spa packages, and other special delights.

Want to know what you'll be bidding on? Take a peak at our silent auction items here.

This event is open to the public, so invite your friends!

This fundraiser supports A Place of Her Own. For more information visit www.aplaceofherown.org.

www.aawaa.net

STORIES HIGH 12: Director's Workshop is about to start...sign up now!

http://www.bindlestiffstudio.org/?q=node/602

03/20/2011 - 10:00am - 06/12/2011 - 2:00pm

Mint Mall (Lower Level) Bindlestiff Studio office, 953 Mission St. SF
Stories High 12 Directing Workshop- Don't miss this opportunity!



Ever dreamed of having creative rights over a piece and making it your own?
For 12 years, Bindlestiff Studio has offered affordable and professional theatrical workshops through its signature production, Stories High. These theatrical workshop aims to teach and refine the skills of beginning to intermediate theater artists with a focus on writing, acting and directing for the stage, culminating into an original, full-fledged theatrical production. Bindlestiff is very fortunate to have this year's workshop facilitated by John Caldon (please read his bio below).

Please do not miss this opportunity to participate in this one-of-a-kind, affordable directing workshop!

IN ADDITION, Stories High 12 will be the first full-run production premiering as part of the Grand Opening of the NEW Bindlestiff Studio theater in its original location on Sixth Street @ Howard St.! Be a part of long anticipated, historical event!

** PLEASE NOTE**

1. Participation in these workshops is limited and based on a first-come, first-serve basis. There will be a waiting list if there is high demand, and those waiting will be added based on attrition.

2. Please look over the schedule. We are looking for committed participants who can attend each workshop with the exception of one absence.

3. Please sign up NOW by emailing susie@bindlestiffstudio.org by Wednesday, March 11th (deadline extended due to construction delay)

For more information, contact Dianne Aquino Chui at 415-632-6133 or via email at dianne@bindlestiffstudio.org

02/26/2011: Placesetting Closing Reception Fundraiser (Manilatown, SF)

http://www.manilatown.org/events.htm#exhibits

Closing Reception Fundraiser: February 26, 2011 2:00- 6:00pm

Manilatown Heritage Foundation's current exhibition, PLACESETTING by artist Johanna Poethig, is an installation of art and utility that sets the table of place – of home. Images from the Manilatown Heritage Foundation’s Archival Project, poems of Al Robles, Serafin Syquia, Nancy Hom, Genny Lim and Oscar Peñaranda, saved newspaper articles and other memorabilia are fired onto bought and hand-cast dinnerware. Digitally printed tablecloths, placemats and coasters are canvases for the installation.

Most of the works on display are for sale; the artist is donating the proceeds to Manilatown Heritage Foundation. 

Selected works that are not sold by the end of the exhibit will be auctioned off to the highest bidder on Feb 26, between 2 and 5PM. Bidding closes at 5PM. People must be present in order to win. Come and view the artwork Tuesday-Saturday between 1 and 6 and purchase original artwork by renowned artist Johanna Poethig. Or come on February 26 to bid on whatever is left (minimum bid required).

Artwork from PLACESETTING Exhibit for Sale

To view the items, go to www.johannapoethig.com/placesetting_sf.html and click on the Souvenirs link.

Tuesday, February 22, 2011

TAYO: Quarterly Spotlight: Spring into Action

Quarterly Spotlight: Spring into Action:

Prompt: Often, we think of “activism” as a process by which particular goals—often political—are achieved by means that are aggressive, public, collective, and sometimes even militant. The truth, of course, is that “activism” takes many forms and addresses more than just politics but rather affects the way we live in our communities in a myriad of ways and on many different levels. While protests and demonstrations often provide “the face” of activism, the heart of activism lies simply in the desire for change—change for the better, for the common good.

That said, for this month, TAYO is calling for submissions with a particular focus on awareness and activism in our community. Please submit any photography, paintings, drawings, digital art, poetry, fiction and/or non-fiction that engage this theme by midnight, Thursday March 31st. Tayo na!

Submit here.

Call for Submissions: Saltwater Quarterly Review

http://saltwaterquarterly.org/submission-guidelines/

Saltwater Quarterly is now accepting submissions for Issue # 2.
Deadline: March 15th.

Saltwater Quarterly is a new literary journal devoted to publishing works by underrepresented authors. We are looking for work that:

* Shines a light on underrepresented communities;
* Exemplifies craft and technique and uses both successfully;
* Subverts or revises traditional forms to illustrate the experience of underrepresented communities;
* Surprises and moves the reader.

We believe that developing the confidence to write is critical and that every act of writing that combats the oppressive messaging of mainstream media is a revolutionary act. Please submit only your best work.

* Fiction should be no longer than 1,000 words*.
* Creative nonfiction should be no longer than 1,000 words.
* Poetry of any form and style is welcomed. We are especially open to poetry that experiments with traditional form in new and exciting ways. Please send no more than three poems at a time.

*We would like to clarify that we want to publish fiction that shows the potential of acceptance in the world, rather than work that (intentionally or unintentionally) punishes minority characters using violence, death, or assault of any kind, regardless of the quality of writing.

We are also interested in submissions of artwork for future covers and issues. Please send us no more than three images of jellyfish, created by you in any medium you’ve chosen, that exemplify the minority experience. We leave it up to you to decide what that looks like.

How to Submit:
Send all submissions to editor@saltwaterquarterly.org. Your subject line should read: “Submission: [Type of Submission], [Last Name].” For example, “Submission: Fiction, Smith.” Submissions should be included in the body of an email. Please do not include attachments, unless you are submitting artwork for consideration.

We will read work and review art from October 1st to July 30th, but individual deadlines will apply for each issue. Simultaneous submissions are encouraged, but let us know immediately if your work is accepted elsewhere. Please do not send us work that has been published anywhere else, including on personal blogs (unless they are password protected).

Please allow eight to ten weeks before inquiring about the status of your submission. Any questions, comments or concerns may be directed to Katie McClendon, editor of Saltwater Quarterly. We are unfortunately unable to pay our contributors at this time, but we hope that this will change in the near future. In the meantime, we provide complimentary contributor copies of the journal.

Thank you so much for your interest in Saltwater Quarterly. We look forward to considering your work.

02/26/2011: Bindlestiff STORIES HIGH 12

http://www.bindlestiffstudio.org/

This Saturday, you don't want to miss...

STORIES HIGH 12
STAGED READING
Saturday, Feb. 26th at 4pm
This event is FREE!

Bindlestiff Studio will be presenting "STORIES HIGH 12 Staged Readings," an annual event featuring play readings written by students of the Stories High playwrighting workshops. A total of six short pieces will be acted out with a Q&A and cocktail mixer to follow. The stories read are in consideration for a full-staged production taking place at the new Bindlestiff Studio theater in July. The staged readings will take place at the beautiful Passion Cafe located at 28 Sixth Street at the corner of Stevenson near Market St. in San Francisco's South-of-Market-Area. This event is FREE so please come support your local Filipino American artists and at the same time our neighborhood businesses. Cocktails and delicious Passion Cafe appetizers will be available.

FEATURING NEW WORKS BY:

Manny Cabrera, Jocelyn DeLeon, Nicole Maxali, Conrad Panganiban, Patrick Silvestre, and Ignacio Zulueta

These pieces were adpated or inspired by celebrated Filipino American writers such as Oscar Penaranda, Tess Uriza Holthe, & others.


at the PASSION CAFE
28 Sixth St. @Stevenson Alley near Market St.

[YouTube] Delano Manongs: Forgotten Heroes of the UFW

Delano Manongs: Forgotten Heroes of the UFW sheds light on the Filipino farm labor leaders who played a major role in organizing the United Farmworkers. The program follows filmmaker Marissa Aroys journey as she puts together the story of her grandfathers role in the Filipino community in Delano, and what the strikes meant to him and the rest of the community. When union leaders Larry Itliong, Phillip Vera Cruz, Pete Velasco, Andy Imutan came into town, how did things change in the small agricultural town? Using archival footage, dramatizations, and interviews with key leaders, participants, and historians, the film weaves the gripping untold history of The Great Delano Grape Strike in 1965 and how Filipinos leaders began the walkout.

Saturday, February 19, 2011

Jean Vengua: On Walang Hiya, Past and Present

An excerpt from http://commonwealthcafe.wordpress.com/2011/02/19/walang-hiya-past-and-present/

I think of articles in The Filipino Student journal published by students 1905–1913 in Berkeley (and decades later, Maganda, also published at CAL), as well as reviews of poems, performances, and other writings published in Filipino newspapers during the Great Depression era. In particular, I remember a lengthy article in a 1935 issue of The Philippines Mail in (unusual) appreciation of a Filipino women’s club in Salinas that staged and directed a 3-act play about Jose Rizal’s martyrdom during a period when Filipino laborers in the area were being attacked by vigilantes with impunity; the “review” went into great detail to praise actors, musicians, writers, set designers, spoken lines, and to describe audience reaction in that packed theater–which was unusually emotional, and for good reason.

They had been shamed many times, and had taken actions that put their lives and jobs at risk. But, in their writing, in their performances and acts of resistance, one might say that they had become walang hiya, in a positive sense.

Does it make a difference if you view contemporary readings and performances within the context of an ethnic oeuvre that began at the turn of the 20th century (as opposed to mid-century)? If you look to early Filipino newspapers and magazines (I have counted over 40 of them (see a list of titles here) published on the West Coast between 1905 and 1946)—not only as subjects for studies of sociology and history, but also as literature, and as community forums that nurtured writers’ voices, presenting them as having intent and agency? Many of these publications were short-lived due to the constant migration of their editors (for employment), and lack of funds — but, especially in the oppressive atmosphere of the Great Depression–why did they exist at all, and why so many?

Read more at http://commonwealthcafe.wordpress.com/2011/02/19/walang-hiya-past-and-present/

Filipino Book Festival Call for Reviewers

From Penelope V. Flores:

Filipino Book Festival Call for Reviewers:

Please spread the word around. This is a Call for Reviews - 100-200 words on a Filipino authored book. Include a thumbnail picture of the cover. For more information, go to

FilipinoBookFestival.blogspot.com or penelopevflores.blogspot.com.

We will highlight the Filipino's talent in all genres. Help us disseminate your published works. We need YOUR input.

Authors, please send me your 200 word descriptors. We promise to compile a readers' guide to Filipino authors at the Filipino Book Festival to be held in San Francisco, October 1st and 2nd, 2011.

Wednesday, February 16, 2011

East Coast Walang Hiya Anthology Events

From Roseli Ilano and Lolan Sevilla:

Dear Supporters of Walang Hiya,

Join the Editors and Contributors of Walang Hiya...Literature Taking Risks Toward Liberatory Practice for two special East Coast readings.

Wednesday, 2/23
7:00 PM
Boston College
Corcoran Commons 205B Newton Room
140 Commonwealth Ave, Chestnut Hill
Sponsored by the Boston College Asian American Studies Dept.
MAP: http://www.bc.edu/about/maps/s-chestnuthill.html

Featuring:
Grace Talusan
Lolan Buhain Sevilla
Ricco Villanueva Siasoco
Roseli Ilano

Friday, 2/25
7:00 PM
Audre Lorde Project
85 South Oxford Street, Brooklyn
http://alp.org/

Featuring:
Dionisio Velasco
Grace Talusan
Lolan Buhain Sevilla
Roseli Ilano
Artwork by Arlene Rodrigo

Both events are free and open to the public. Attend the East Coast Book Launch and buy the anthology for a discounted price of $16!

Share the Facebook Event: http://www.facebook.com/event.php?eid=189343517765183&pending#!/event.php?eid=189343517765183

Are you an educator looking for new tools and resources to bring into the classroom?
Walang Hiya…Literature Taking Risks Toward Liberatory Practice features a study guide with suggested activities to creatively explore the themes of migration, identity and empowerment. Already being used in university Ethnic Studies and highschool English courses, the anthology is poweful tool for building writing skills, oral history skills, research, and collective storyelling practices. Inquire for a discounted group/student rate.

About the Anthology:
Presented by Carayan Press, Walang Hiya…Literature Taking Risks Toward Liberatory Practice is a groundbreaking collection of poetry and short fiction featuring 32 Filipino and Filipino-American Writers, and original artwork by Arlene Rodrigo and Aimee Espiritu. Walang Hiya, a term traditionally used to shame has been reclaimed through this body of work to examine the taboo in our communities with fresh, honest and unflinching voices.

walanghiyaanthology.com

Looking forward to seeing you on the East,

Roseli and Lolan

Monday, February 14, 2011

POOR Magazine launches the Al Robles Living Library in Black History Month

FOR IMMEDIATE RELEASE
Contact: Tony Robles or Tiny Gray Garcia
510-435-7500 or 415-374-5344

Filipino Scholar, Poet and San Francisco Community Leader Honored with a "Living Library" in Black History Month

POOR Magazine honors Al Robles, a poet and organizer who worked, taught and supported young and elder poets of color from all communities in the Bay Area and across the globe with the launching of The Al Robles Living Library Project and POOR Press Book Collection.

What: Al Robles Living Library Project Launch in Black History Month
When: 4pm Sunday, February 27th
Where: POOR Magazine-Redstone Bldg 2940 16th street #301 SF 94103

(San Francisco). POOR Magazine honors the late Al Robles with a gift of love for his work as a housing activist, poet, teacher, mentor, and historian.  His bringing together of communities was a gift he shared with POOR Magazine, of which he was an active board member. This historic library launch will feature the POOR Press 2011 Book collection which features artists of color in poverty from across the globe and the movie "Manilatown is in The Heart—time Travel with Al Robles", a film by Curtis Choy.

Al Robles love and spirit and vision continue to guide POOR Magazine's values of eldership and interdependence--leaving a living legacy of care giving and revolutionary media that gives voice to communities traditionally and intentionally silenced in media and academia.  "My Uncle Al's legacy is the I-Hotel" said nephew and POOR Magazine co-editor Tony Robles.  "He inspired a generation of activists to fight for the rights of elders to decent housing, bringing attention to the injustice and tragedy of the International Hotel and bringing communities together in the fight for social justice".

Robles was instrumental in the rebuilding of Kearny Street's International Hotel, home of Filipino and Chinese elders who were issued eviction notices to make way for a parking lot.  The "I-Hotel" captured the attention of the world with images of elders holding signs and chanting, "We won't go!"  Robles narrated the film that captured the fight and eventual eviction entitled, "The Fall of theI-Hotel".

In addition to the POOR Press collection, the Al Robles living library will feature a collection of books gathered over the years by Al Robles, as well as writings, photos, audio interviews and poetry that will be presented and preserved digitally.  The library will be a community space open to all who want to read and write, relax and learn about the legacy of Al Robles, which is the legacy of sharing stories, sharing voices and community building.  The library offer events such as readings, film screenings, writing workshops and feature artists and performers from throughout the community. The event will include a screening of "Manilatown is in the Heart—Time Travel with Al Robles" by Director Curtis Choy, as well as music, food, poetry and performances.  For information call Tiny Gray Garcia at 510-435-7500 or Tony Robles at 415-374-5344.
--
Tiny aka Lisa Gray-Garcia
Co-madre/Co-editor/Daughter of Dee
POOR Magazine/PoorNewsNetwork(PNN)
Author of Criminal of Poverty: Growing Up Homeless in America
www.poormagazine.org
www.tinygraygarcia.com
www.racepovertymediajustice.org

Thursday, February 10, 2011

02/26/2011: PAWA and PACE Workshops at SFSU

Please distribute.

Pilipino American Collegiate Endeavor at SFSU & Philippine American Writers and Artists, Inc. present

Bridging Our Literary commUNITY: A Literary Symposium

Introductory Writing Workshops featuring

Randall Mann — poetry
Barbara Jane Reyes — poetry
Tony Robles — short story
Oscar Peñaranda — short story
Anthem Salgado — blogging
Janet Mendoza Stickmon — memoir
Allan Manalo — playwriting

Saturday, February 26, 2011 9:00 AM - 3:30 PM

Jack Adams Hall in the Cesar Chavez Student Center at San Francisco State University


Wednesday, February 9, 2011

Francis Manapul on io9

Image courtesy of Luigi Novi  
Popular sci-fi website io9.com interviews Filipino-Canadian comic book artist Francis Manapul about his recent work on DC Comics' The Flash and getting started in the comic art world.
io9: What is Francis Manapul's advice for breaking into comics?

Francis Manapul: I'm going to sound really old when I say this, but when I first started out, the only way to find out how to break into comics was to read interviews with artists in magazines. But now, you can put your artwork online instantly. It's one of those things where if your stuff is good and you're constantly putting it out there, somebody's going to find it. You also have to proactive, attend conventions, and constantly draw. The real question isn't "How do you break in?" It's "How do you become better at drawing?"

Full interview available at io9.com.

Call for Submissions: Urban Confustions

http://urbanconfustions.com/submissions/

Urban Confustions invites women living in the urban centers of the world to submit Fiction, Non-Fiction, Poetry and Art for their bi-annual literary journal. Urban Confustions is seeking women writers and artists who share a global perspective of society and are not restricted or limited by one reality or concept of “home”.

CALLING FOR SUBMISSIONS FOR OUR SPRING ISSUE !
DEADLINE FOR SUBMISSIONS IS FEBRUARY 20TH 2011.

Frequently Asked Questions

What is Urban Confustions looking for?

Fiction and Non-Fiction -up to 4,000 words. Poetry -4-6 poems.

Art Work – 3 images in line with the theme ‘Urban Confustions’, no larger than 200kb per image and should include title, size, year and medium in the name. The work should be recent and can be in any media (painting, photography, mixed media or 3-D) but will be featured in the publication in photography form. Include a short statement that specifically informs us how your work fits into the said theme.

Is Urban Confustions a Magazine?

Yes, it is a literary Journal published bi-annually. We also hold public readings in various cities twice a year.

Urban Confustions is a collaborative literary effort of women writers and artists who work and live in the urban agglomerations across continents.


The 500 Project: Does Asian Pacific Islander American (APIA) literature matter?

From Kartika Review:

Does Asian Pacific Islander American (APIA) literature matter?

The 500 Project seeks to profile 10 APIA individuals from each of the 50 States who answer YES.

On February 3, 2011, incidentally the Lunar New Year, the editors of Kartika Review, a national Asian Pacific Islander American literary arts journal, got together with award-winning poet Bryan Thao Worra and took on the 500 Project.

However, the concept started well before February 3rd, by Thao Worra, the first Lao American to hold an NEA Fellowship in Literature. Over the last 15 years, he has worked with Asian/Pacific Islander American writers from across the country to revitalize our literary and artistic traditions, in particular that of Lao and Southeast Asian American writers. A key part of that journey has been connecting emerging enclaves of writers with more established APIA artists across the United States. One recurring conversation the writer activists have is the question of the modern audience for Asian American literature.

We are in a time when there is a vocal demand for diverse voices, and yet APIA writers are hard-pressed to find the same passionate, sustaining demand that mainstream writers or genre fiction enjoy. That presents a contradiction, one we writer activists cannot ignore, and one that we should respond to loudly, proudly, from every storied corner of Earth.

In Thao Worra's home state of Minnesota, there are over 60 ethnic communities tracing their heritage to Asia or the Pacific Islands. These communities thrive across the United States, coast to coast. For each of these communities, writers must ask: Can't we find, among all of those thousands, 10 individuals who are passionate about Asian American literature, writer activists who will express without equivocation that Asian American literature matters?

For each of the 50 states, there must be at least 10 Asian / Pacific Islander Americans that answer yes. And thus Thao Worra, joined by Kartika Review seek out those 500. Why should it be so hard to identify them and build a vibrant, amazing network of readers and writers? How can a canon of contemporary Asian American literature be built if we cannot even find these 500?

And so our quest begins.

Read more.

Tuesday, February 8, 2011

02/26/2011: Bindlestiff Stories High

02/26/2011 - 4:00pm - 7:00pm
Passion Cafe, 28 Sixth Street @Stevenson Alley (near Market St.) 

Bindlestiff Studio presents the annual
STORIES HIGH 12 Staged Readings

Saturday, Feb. 26th at 4pm - 6pm

PASSION CAFE
28 Sixth Street (at Stevenson near Market St.)
Admission: FREE (donations gladly accepted)

SAN FRANCISCO, CA. Filipino American theater organization, Bindlestiff Studio will be presenting "STORIES HIGH 12 Staged Readings," an annual event featuring play readings written by students of the Stories High playwrighting workshops. A total of six short pieces will be acted out with a Q&A to follow. The stories read are in consideration for a full-staged production taking place at the new Bindlestiff Studio theater in July.

The staged readings will take place at the beautiful Passion Cafe located at 28 Sixth Street at the corner of Stevenson near Market St. in San Francisco's South-of-Market-Area. This event is free so please come support your local Filipino American artists and at the same time our neighborhood businesses.

Monday, February 7, 2011

Kundiman: Asian American Poetry Retreat

http://www.kundiman.org/retreat/

Fordham University, Rose Hill · New York City · June 15 - 19, 2011

Submissions must be postmarked between January 15 and March 1, 2011

This project is made possible by lead funding from Fordham University and an award from the National Endowment for the Arts.

Introduction

In order to help mentor the next generation of Asian American poets, Kundiman is sponsoring an annual Poetry Retreat in parternship with Fordham University. During the Retreat, nationally renowned Asian American poets will conduct workshops with fellows. Readings, writing circles and informal social gatherings will also be scheduled. Through this Retreat, Kundiman hopes to provide a safe and instructive environment that identifies and addresses the unique challenges faced by emerging Asian American poets. This 5-day Retreat will take place from Wednesday to Sunday. Workshops will not exceed eight students.

Writing Workshop

A nationally renowned Asian American poet will facilitate each writing workshop. Workshops will consist of writing exercises and group discussions on fellows' poems. At each workshop, fellows will be expected to write and workshop new poems. Fellows will have the opportunity to take a workshop with every Faculty member. In order to help foster relationships between fellows themselves, each fellow will be assigned a home group, and will remain in that home group for the duration of the retreat. The Faculty will rotate in the work-shopping of each home group.

Lincoln Center Reading

Come and hear the new poems. 2011 Faculty and Fellows will read for the public.

Date and Time TBA

Directions

Take A, B, C, D & 1 trains to Columbus Circle.
Exit at 60th Street & Broadway. Go west of Columbus Avenue.
Upon entering the glass doors inform the security desk that you are attending the Summer Poetry event. Take escalators up 1 floor to Plaza level. Take elevator up to the 11th floor. Take stairs 1 flight up to the 12th Floor. Enter 12th Floor Lounge

Mentoring: Conferring and Connections

Faculty members will schedule one-on-one conferences with participants. Prior to arriving, fellows will submit a request indicating their order of preference as to which poet they would like to meet one-on-one. Administrators will try to accommodate each applicant’s request.

Location

The Kundiman Asian American Poetry Retreat is held on Fordham University's beautiful Rose Hill Campus located in the Bronx, NYC.

02/19/2011: Filipinos in San Francisco Book Launch

Please forward widely and post to listserves in the community! Thank you!

Celebrate the publication of FILIPINOS IN SAN FRANCISCO (Arcadia, 2011), which chronicles more than 100 years of Filipina/o American history in San Francisco through photographs. Culled from archival collections and family photo albums, the photographs tell stories of Filipina/o immigration, settlement, community formation, and political activism in San Francisco, home to one of the largest Filipina/o American communities in the nation.

Editors of the book included representatives from the Filipino American National Historical Society SF Chapter, the Pina@y Educational Partnerships of San Francisco State University, and the Manilatown Heritage Foundation. The launch will include a panel of speakers on the history of Filipinos in San Francisco, entertainment, refreshments, and signings by the book editors, including Evelyn Luluquisen, Oscar Peñaranda, Estela Habal, Dan Gonzales, Dawn Bohulano Mabalon, Allyson Tintiangco-Cubales, Mitchell Yangson, and more.

FILIPINOS IN SAN FRANCISCO Book Launch
Admission is FREE
2-4pm, Sat. Feb. 19th
San Francisco Public Library, Main Branch, Latino Rooms
100 Larkin St., San Francisco
Books, at $22, will be available for purchase at the event.

***All proceeds from books sold at the launch will directly benefit the Manilatown Heritage Foundation, FANHS, and PEP. Thank you for your support!***

If you cannot make it to the launch, you can order books from the orgs by emailing filipinos.in.sanfrancisco@gmail.com. Leave us your name, address, phone and the number of books you wish to order.

Please bring friends and family! Hope to see you on Feb. 19th!

Saturday, February 5, 2011

Interview: "Filipino-/American Postcolonial Psychology" Out Now, Author Shares His Experiences

From bakitwhy.com:

In mid-2009, Kevin Nadal published the first book on Pilipino American psychology, Filipino American Psychology: A Handbook of Theory, Research, and Clinical Practice. The afterword of that book, along with two of its chapters, were written by E.J. David, a Philippine-born Alaskan who earned his Doctoral Degree in Clinical/Commuity Psychology at the University of Illinois at Urbana-Champaign. Now it is Nadal’s time to return the favor, as he has written the afterword to David’s newly released book, Filipino -/ American Postcolonial Psychology: Oppression, Colonial Mentality, and Decolonization.

The book explores the effects that the Pilipino history of colonialism and oppression has on Pilipinos and Pilipino Americans today. It takes into account both Spanish and American colonialism, and oppression self-imposed from within the community. It then looks at ways to break through the colonial mentality. We asked Dr. David on some of the experiences he had while writing this book.

BakitWhy.com: What's the most surprising thing you discovered while researching for this book?

E.J. David: There are plenty of surprises. The most surprising is probably the fact that colonial mentality may exist and operate even when we are not doing it on purpose, and even when we are not aware of it. It can really affect our thoughts, attitudes, and behaviors toward some people, products, or whatever else. For example, by not being aware of colonial mentality and how it may exist within and affect us, then we cannot keep it in check or under control. If we don't keep it under control, then we're just going to continue making decisions and behaving in ways that reflect colonial mentality, like preferring lighter-skin, American-made products, making fun of FOBs (fresh-of-the-boat; first generation immigrants), or regarding someone who is mestizo/a and can speak accent-free English as more attractive or credible. Colonial mentality may operate automatically, and even unconsciously.

Read more.

Friday, February 4, 2011

Call for Submissions: Adanna, a Literary Journal Dedicated to Women

Call for Submissions: Adanna, a Literary Journal Dedicated to Women

Deadline: 31 April 2011

Guest Editor: Diane Lockward, author of four collections of poetry, Temptation by Water (Wind Publications, 2010), What Feeds Us, which received the Quentin R. Howard Poetry Prize; Eve’s Red Dress; and a chapbook, Against Perfection. Her poems have been published in several anthologies, including Poetry Daily: 366 Poems from the World’s Most Popular Poetry Website, Garrison Keillor's Good Poems for Hard Times, and The Poet's Cookbook. Her poems have also appeared in such journals as Beloit Poetry Journal, Spoon River Poetry Review, Harvard Review, Poet Lore, and Prairie Schooner.

Why Adanna?

Adanna, a name of Nigerian origin, pronounced a-DAN-a, is defined as “her father’s daughter.” This literary journal is titled Adanna because women over the centuries have been defined by men in politics, through marriage, and, most importantly, by the men who fathered them. Today women are still bound by complex roles in society, often needing to wear more than one hat or sacrifice one role so another may flourish.

While this journal is dedicated to women, it is not exclusive, and it welcomes our counterparts and their thoughts about women today. Submissions to Adanna must reflect women’s issues or topics, celebrate womanhood, or shout out in passion.

Submission Information:

The reading period for this first issue begins on January 31st and closes April 31st.

Send submissions as a single file attachment to adannajournal@yahoo.com

Adanna accepts poetry, short stories, essays, and reviews of books and visual arts. Adanna welcomes both National and International submissions in English.

* Please submit only unpublished pieces (3-6 at a time).
* Simultaneous submissions accepted.
* Please notify us as soon as possible of any accepted work.
* Adanna will be a perfect bound print book publication, Summer 2011.

More information here.

02/09/2011: Benito M. Vergara, Jr. in Conversation with Mike Guingona @ Daly City Library

PRESS RELEASE
Contact Person: Tim Birch - tbirch@dalycity.org

Filipino American author and educator Dr. Benito M. Vergara, Jr. and Daly City Council member Mike Guingona will be at the Serramonte Library Community Room from 6:30 to 8:00 pm on February 9 at 40 Wembley Drive, Daly City to talk about Vergara’s latest book, Pinoy Capital: The Filipino Nation in Daly City. The free event is sponsored by the Daly City Library in cooperation with the Literacy Initiatives International Foundation (LIIF).

Vergara and Guingona will be joined by Erlinda Galeon, Daly City Public Library Trustee. Theresa Calpotura, a classical guitarist and music teacher, will open the evening with some classic Filipino guitar pieces.

This event marks the second of a series of “Conversations with Filipino Authors,” being held in various Bay Area libraries as a build-up to the first Filipino American International Book Festival on October 1 and 2, 2011 at the San Francisco Public Library. Sponsored by the Literacy Initiatives International Foundation (LIIF) in cooperation with the Philippine Consulate of San Francisco and the Filipino American Center of the San Francisco Public Library, the book festival will gather Filipino authors based in the U.S., the Philippines and other countries, as well as Philippine and U.S. publishers, librarians, book dealers, academics, and artists.

Born and raised in the Philippines, Benito M. Vergara, Jr. is the author of Displaying Filipinos: Photography and Colonialism in Early 20th-Century Philippines (University of the Philippines Press, 1995) and Pinoy Capital: The Filipino Nation in Daly City (Temple University Press, 2009). He got his Ph.D. in Anthropology from Cornell University and has taught Asian American Studies and Anthropology at different universities in the San Francisco Bay Area. He also writes about movies at http://filmeyeballsbrain.com.

Home to 33,000 Filipino American residents, Daly City, California, located just outside of San Francisco, has been dubbed “the Pinoy Capital of the United States.” In this fascinating ethnographic study of the lives of Daly City residents, Benito Vergara shows how Daly City has become a magnet for the growing Filipino American community.

Vergara challenges rooted notions of colonialism here, addressing the immigrants’ identities, connections and loyalties. Using the lens of transnationalism, he looks at the “double lives” of both recent and established Filipino Americans. Vergara explores how first-generation Pinoys experience homesickness precisely because Daly City is filled with reminders of their homeland’s culture, like newspapers, shops and festivals. Vergara probes into the complicated, ambivalent feelings these immigrants have—toward the Philippines and the United States—and the conflicting obligations they have presented by belonging to a thriving community and yet possessing nostalgia for the homeland and people they left behind.

With long-time Daly City public official Mike Guingona as interviewer, this “conversation” with Vergara promises to be an enlightening and informative discussion not only about Daly City but of Filipino American lives as well.

02/19/2011: PAWA Arkipelago Series @ Bayanihan Center

Philippine American Writers and Artists, Arkipelago Books, Filipino American International Book Festival present

PAWA Arkipelago Series
A free event

Saturday, February 19, 2011
5:00 PM
Bayanihan Community Center
1010 Mission Street, San Francisco, CA

featuring:

Born in Ecuador and raised in the Bronx, Oscar Bermeo is the author of four poetry chapbooks, most recently To the Break of Dawn. He has been a featured writer at a variety of institutions including the Nuyorican Poets Cafe, Kearny Street Workshop, Rikers Island Penitentiary, San Quentin Prison, UC Berkeley, UNC-Chapel Hill, NYU and many others. Recent poems appear in CrossBRONX, 580 Split, Milvia Street Journal, and phat'itude Literary Magazine. He has taught creative writing workshops to foster youth in San Jose, bilingual fourth graders in Oakland, and to adults through the Oakland Public Library's Oakland Word program. Oscar makes his home in Oakland with his wife, poeta Barbara Jane Reyes, where they co-edit Doveglion Press. For more information, please visit: www.oscarbermeo.com.

Jennifer Cendaña Armas is a NYC performer/writer/teacher. Her work includes presentations at the Binational Center of Cuzco, Lincoln Center's La Casita, Culture Project's Women Center Stage Festival, London's Ronnie Scott's Upstairs, and choreographing reg e. gaines's production of BLAK. She teaches performance and writing workshops stateside and abroad, and is a teaching artist with Brooklyn Academy of Music. her first show, skinimin12 featured at both the Downtown Urban Theater Fest and NYC Hip Hop Theater Festival at the Public Theatre. She is a member of the Blackout Arts Collective family. Her new piece, my mouth may not know all the words but everything else understands, will have an excerpted, work-in-progress presentation at La Peña Cultural Center Feb. 25th and 26th, with a workshop open to the community Feb. 27. www.junipersupadupa.com

Cecilia Gaerlan is a Bay Area playwright based in Berkeley, California. She is the founder of the multicultural theatre arts group Artis Mundi. She received an Honorable Mention in the Stage Play Script Category of the Annual Writer’s Digest Writing Competition in 2005 for The Hand of God and in 2010 for Magnus Laurent (Lorenzo the Magnificent). She is a recipient of a Theatre Bay Area CASH Award in 2002 for her play, Brilliance within the Darkness which is about the blind Spanish composer, Joaquin Rodrigo, the composer of the guitar masterpiece Concierto de Aranjuez. She is the author of several other plays on a wide variety of topics such as the United Nations (commissioned by City College of San Francisco for the U.N.’s 50th anniversary), child prostitution, the Chinese Cultural Revolution, etc. In Her Mother’s Image is her debut novel.

Isabelle Thuy Pelaud is associate professor in Asian American Studies at San Francisco State University. She is the author of this is all i choose to tell: History and Hybridity in Vietnamese American literature published by Temple University Press. Her academic work can be found in Mixed Race Literature, The New Face of Asian Pacific America, Amerasia Journal and Michigan Quarterly Review. Her creative works have been published in Making More Waves, Tilting the Continent, Vietnam Dialogue Inside/Out and The Perfume River. She is founder of the Diasporic Vietnamese Artists Network (DVAN).

Thursday, February 3, 2011

02/17/2011: BINDLESTIFF STUDIO GROUNDBREAKING CELEBRATION & FUNDRAISER

Time: 02/17/2011 - 6:00pm - 9:00pm
Location: Mercury Lounge 1582 Folsom Street, San Francisco Ca 94103 (415) 551-1582
 

San Francisco - (February 1, 2011) - Bindlestiff Studio and the San Francisco Redevelopment Agency are proud to announce our long-awaited groundbreaking of Bindlestiff Studio's new 99-seat theater, taking place next week at the theater's original location. After years of intense negotiation and planning, Bindlestiff Studio will soon open its doors once again at 185 Sixth Street in the South of Market Area, becoming the first theater venue in the nation dedicated to the cultivation and development of Filipino Americans in the performing arts.

Read more.

Wednesday, February 2, 2011

CALL for Actors for short film RAYMOND

Award winning Director, Writer, and Producer have collaborated on a dynamic script for the Filipino-American community. Join us for auditions on Feb. 4th and 5th. Please reply to markvreyes at yahoo.com with your availability for the times below.

ALL ACTORS MUST BE GIVEN A SLOT TIME FOR THIS AUDITION.

Audition Dates:
Friday, Feb 4th - 79 New Montgomery (6pm - 9pm)
Saturday, Feb 5th - 79 New Montgomery (10am - 6pm)

Shoot dates: Feb. 25-27th.

Meet the Director, Mark Reyes:
http://markvreyes.com
http://web.mac.com/ma...
http://imdb.com/name/nm1927803/

Working Title: Raymond
Genre: Drama
Project Type: Short Film
TRT: 15 mins
Media: Digital

Logline: A terminally ill gay man comes home to seek forgiveness from the lover he abandoned. But redemption comes from an unlikely source.

CHARACTERS

RAYMOND, (MALE) late 20s/early 30s, Filipino/Asian. He is on the edge and it's manifestly obvious in his body language throughout. Holds a secret . Able to speak some Tagalog but not necessary.

NESTOR, (MALE) Raymond's father, late 50s/early 60s, Filipino/Asian. A guy who's worked long hours all his life. Must speak Tagalog, or could easily adapt to a few lines.

REMEDIOS, (FEMALE) Raymond's mother, late 50s, Filipino/Asian, strong willed, motherly. Determined. Must speak Tagalog.

RAYMOND's NIECE, 6-10, Filipino/white, cute and precocious.

LOLA, grandmother, 60s-70s, Filipino/Asian, tiny, silent and all-seeing.

JOEL, Raymond's younger brother, Filipino/Asian, mid-late 20s, bit of a dude. Sporty.

MARITESS, (FEMALE) Raymond's younger sister, Filipino/Asian, late 20s, pretty but a bit shrill. A bit of a ball-breaker, given half a chance.

CHRIS, (MALE) late 20s, white (maybe Italian background?), out of shape, not so hot. Too many hot dogs and too many beers.

FRANK, late 30's to 50s, white, in good condition and aging well. A handsome man who's still got it going on.

FRANK'S BOYFRIEND, 30 something, white, well built.

YOUNG MOTHER, any ethnicity, mid 20s (non-speaking)

Her SON/DAUGHTER, 4, cute (non-speaking)


*
Also looking for homes with a Filipino look/Daly City feel that would be up for shooting-- there's a small budget to pay for the location. Also looking for non actors who would like some experience in trying to audition. Especially for the LOLA role.